Sou Mangangá - M.Tonho Materia - GC

CD SOU MANGANGÁ - RECORDED IN 2002 (LAUNCHED IN 2004) GRAVADORA GAL

CD SOU MANGANGA

I'm a mangangá from:tonho matter

Party at mangangá in: tonho material

Practicing capoeira from: tonho material

Street Capoeira by: Tonho Matter / Nilson Magic

Touch of cousin by: tonho material

Litany for adapted cameo. tonho matter / calazans

Tucum knife from: Tonho Materia

Good people from: Tonho Matter

Bimba racing adapted. tone matter

Only women play: tonho matter

Capoeira by: Tonho Matter

Corrido de São Bento Grande Adapt: Tonho Matter / Edybinho

This art by: tonho matter / wellington

Let's go capoeirá: tonho matter

True word for: Tonho Matter

Seven crossroads by: tonhomatéria

Samba de roda by: tonho material / wellington

Mangangá {farra} live from: tonho material / beto correa

I AM MANGANGA

FROM: TONHO MATTER

I was born to be a winner

and that's why I'm capoeira

I'm manganga

I saw the earth shake

when I saw caiçara play

batuquegê capoeira

in quilombos with waldemar

I saw canjiquinha create

the samango for us to play

I also saw Mestre Bimba manding

with manganese beetle

I was born to be a winner

and that's why I'm capoeira

I'm manganga

oh ginga

fire brat

oh ginga

brat

I saw di mola on the market ramp

with paulo dos angels and two of gold

good kid in the wheel with red

and a gentle ox touching its hands on the leather

I saw master pastinha flourishing

with Mestre Ezequiel in the capital

I also saw Mestre Bimba invent

regional capoeira

PARTY AT MANGANGA

FROM: TONHO MATTER

let's play capoeira

at the manganga party

There the mandinga is good

and the capoeira nation

everything is there

quilombolas, tides are also there

ghetto and capoarte are also there

jalará and half moon are also there

Calabar and Palmares are also there

porto da barra and dodge are also there

leather hat and topaz are also there

zambiacongo and lei aurea will also be there

black race, nagô and agbara will also be there

liberating current, berimbaus touches

in the forest clearing in the red clay

There has to be race and vagrancy

defense and attack in iúna is body and movement

captivity and urucungo will also be there

capoeiragem and gangara are also there

the Bantu and golden eagle are also there

starfish and capoeirarte are also there

capoerê and rainbow are also there

ingenuity and stela mares will also be there

sunshine and feet in the air are also there

kirubê and seven falls are also there

batuquegê in bahia capoeira is like being hawks from the moon

releasing the white dove of the corporal expression of the children of the slave quarters

always rocking the union of the palms of good people

axé bahia, we are children of São Francisco, children of the orixás

of the children of Bahia, of the children of Oxalá

we come from angola de palmares with capoeira aafrica which is our mandingo art

we make mutations, capoeira missions, black afro bahia

doing the berimbau violates the art of fighting of an art and body

We are from Bahia, art, a black beetle, lovers of regional capoeira

a golden peacock of art and fight

we are united in capoeira, zumbahia

we are the joy of master canjiquinha

we are zombies, children of freedom, camugerê, angels of Angola, palm root

a slave ship that came from Luanda let's go capoeirá, that the educapoeira game

let's swing freedom capoeira I live practicing capoeira

because capoeira gives me strength and flexibility, axé didagba. Hey buddy!

PRACTICING CAPOEIRA

FROM: TONHO MATTER

game of bamba is trickery

get out of the berimbau

for the game to be easier

you have to be a good mandinguero

you have to pay attention

just remember the captivity

where the black prisoner

struck slavery

I live practicing capoeira

I give aú and I give a trip

in this life my god

if the game is from within

don't waver

so as not to get tripped

it has to be a zombie

It has to be a brother

in the capoeira circle

faltered, fell, faltered, fell

in the capoeira circle

faltered, fell

if you fall I will laugh at you

STREET CAPOEIRA

FROM: TONHO MATÉRIA/NILSON MAGIA

I want water to drink

to quench my thirst

I'm going to play capoeira

I will swing several times

master bimba taught me

in a similar way

today my fate

capoeira is playing

capoeira is mandinga

it's no joke

ginga that I want to see

capoeira is African

and runs through your veins

ginga that I want to see

ho! zoom, zoom, zoom

street capoeira killed one

you have to have race

to be a capoeira

ginga that I want to see

You have to have zombie blood in your veins

ginga that I want to see

oh zum zum zum zum

street capoeira killed one

ancestral value and swing capoeira

capoeira by luther king

capoeira ancestral da belly da mazela

nelson mandela capoeira

capoeira is viramundo, capoeira is barracks

samoura machel capoeira

PRIME TOUCH

FROM: TONHO MATTER

I am capoeira

I am capoeira

and I don't owe anyone anything

I play capoeira around the world

I fall, I get stuck and I don't get dirty

I play regional capoeira

I'm a capoeira...

capoeira when you're in the circle

in the middle of wobbles you can't fall

You have to have good resistance

you have to play capoeira

what my master taught

it was a nice touch

it was fundamental

capoeira game she is phenomenal

LITAIN FOR CAMEO

ADAPTATION: TONHO MATÉRIA/CALAZANS

as master calazans said

From the longing of slaves came music

From music came dance

From dancing came the fight

cameo where is maria de santo pedro

went for a walk

and the maria ride made bahia cry

capoeira, capoeirá, capoeira

in Bahia it's capoeira

I was there at home, oh yayá

without thinking without imagining...

when I heard knocking on the door

Solomon sent for

it was time to fight to help him win or iaiá

the liberal battle

I was never a fighter

I didn't even intend to fight old friend

I have no weapon in my hand, it was time to fight

I will tell my lord that the butter spilled

but the butter is not mine

because butter is made from hiô

cry boy inhe, inhe, inhe

boy cried inhe, inhe, inhe

shut up boy inhe, inhe, inhe

that you didn't catch

and it is you who are woman woman who are you

Shoo, shoo my canary my canary is a singer

Dona Maria do Camboatá, she arrives at the sale and orders it to be installed

Oh my god, Saint Benedict, the old hole has a snake inside

and Mrs. Alice, don't catch me

Don't catch me, don't love me, don't catch me

o nega o que vende ai...

tabaréu que vem do sertão vendendo quiabo, maxixe e limão

dá, dá, dá no nego no nego você não dá

pega esse nego derruba no chão esse nego é valente esse nego é o cão

axé, axé, axé pra capoeira axé, axé, axé

axé pra mangangá

FACA DE TUCUM

DE: TONHO MATÉRIA

faca de tucum matou besouro

meu deus que negro valente

quebrava qualquer corrente

se alguém fosse te pegar

ele era um capoeira

feiticeiro e mandingueiro

in the capoeira circle

made his play light

Bera, Bera, Bera wood

crazy guy got tripped

in the capoeira circle

of the black beetle

of the manganga beetle

I already said it, I'll repeat it

It's the manga

who sends here

capoeira is on the floor, it's on the floor,

capoeira is played on the floor

GOOD PEOPLE

FROM: TONHO MATTER

the good master told me

what to order

you have to be good capoeira

a manganese beetle

oh yayá

he is a good capoeira

oh yayá

he is phenomenal

oh yayá

play beautiful Angola

oh yayá

and regional

dick dick pereira

the master good people is no joke

dick dick pereira

he is capoeira

I saw I saw

good people playing with saci

I saw I saw

ganga zumba also betray zombie

and the cat master applauding and saying like this

let go of the mandingo

Let go of the mandinga, buddy...

BIMBA RACE

ADAPTATION: TONHO MATÉRIA

one day at a party

a kid asked me to play

I then distrusted

I was stuck repairing

what was written on the shirt

It was a manganese beetle

ê ê ê it was a mangangá beetle

please don't mistreat this black man

this black guy was the one who taught me

this black guy with ripped pants

holey shirt is my teacher

look at the black man

look at the black man

this nigga is naughty

likes capoeira

remember remember remember the red clay...

Who has never seen it come and see

nicuri plant palm oil

oh, oh, oh doctor, I'm going to play, I'm going, I'm going

I'm going to hang around with the mangangá

oh, oh, oh São Bento, I'm going to play the indoor game

snake bit caiçara is monkey

break corn like monkeys

monkey that breaks palm oil

shook capoeira shook

if you shake, let it shake

flying dove, flying dove

dove flying hawk caught

Hey aiá, I came here to play aiá

I came to play capoeira oh aiá

Angola and regional ô aiá

siri threw gameleira on the floor

played that I saw

buzz, buzz, buzz manganga beetle

who can't with mandinga

does not carry patuá

Hey there, I already ordered it to be hit, I want to see it fall

oh there oh there in the footprint of the lamp

ai, ai, ai São Bento call me ai, ai, ai

he already called me oh, oh, oh

to play capoeira ai, ai ai

with master noh

Do you want to see this wheel get better?

who doesn't sing clap

which is so as not to be left idle

Whoever wants to play, come to the foot of the berimbau

let's break coconut

while the police don't come

when the police arrive oh oh

breaks the police too

I will hit to knock you down

If you touch the master, the animal will catch you

look at the master there...

Let's play the brunette game

if I lose you take me

if I win you are mine

let's make the game the compadre game

I don't hit you and neither do you hit me

don't play with me

When I speak I mean it

my plate is hospital

my hammer is a cemetery

break gereba break

how do you break, break

slicing knife cuts bread

okra

give a shout haha

manganga aê

capoeira one, capoeira two....

ONLY WOMAN PLAY

FROM: TONHO MATTER

oh beautiful girl

Want to date me, want to date me

just because I'm a capoeira

She only thinks about getting married

be more careful girl

I'm a flirt, I'm a flirt

just because I'm a capoeira

she comes full of love

good animal what is it, it's a woman

woman does not waver on the wheel

woman also plays with man

if he falters on the wheel

the woman also makes a name for herself

so was mary 12 men

in the regional game

when he heard the sound of the berimbau

gave a hammer, a stingray tail

and made 12 men cry

Hey girl, stop the nonsense

talk to your father

and come play capoeira

For me, a woman has to keep avoiding

You have to play capoeira to be good and have a lot of malice

good animal what is it, it's a woman

I've never seen a green chicken, parrot or alligator

in the capoeira circle

man with man woman with woman

only play women, women with women

CAPOEIRAGE

DE: TONHO MATÉRIA

do berimbau, atabaque

pandeiro e agogô

nasceu a capoeira

capoeiragem, capoeirada

ela veio pro brasil

na era colonial

fez pastinha angoleiro

bimba um regional

me ensinou entrar em roda

e nunca dá meu golpe em vão

capoeira é verdadeira

cada toque é uma lição

o nego que escorrega

e não cai na ladeira

joga capoeira

e sabe bailar, sabe bailar

tá na ginga

tá na vida, ê paraná

tá no golpe arrependido, ê paraná

giving a aú shake ê paraná

Angola rolls on the ground

capoeira my brother

is the certainty of the captive's value

CORRIDO SÃO BENTO GRANDE

ADAPTATION: TONHO MATÉRIA/ EDYBINHO

what class is this

what a good group

It's the mangangá in the swing of the canoe bis

I went up the mountain, down the hill

I saw a group playing capoeira

Angola game, regional

I play the tambourine, atabaque and berimbau

berimbau played

tambourine rolled

atabaque drummed

and I was there

I wrote my name

on the wire

who wants to know my name

will have to play

hey buddy ah,ah

you fuzuê clay wall won't beat me

blacksmith's house stick skewer

if you are not naughty

you might get hurt

I give half a moon

I give a stingray tail

if you are good at the wheel

I also know how to play

capoeirista who is good

don't run away, fight

capoeirista who is good

can't go back

comrade there, there

shake off the dust

and sway and sway and sway

in swinging

get over there you kid

esse nego quer me derrubar

ele carrega no corpo a ginga

e uma navalha na mão a cortar

quando eu olhei já era tarde

meu peito já havia sangrado

ajoelhei no pé do berimbau

e comecei a rezar

o lá lauê .... lalailá

o lái lalaolá

ESSA ARTE

DE: TONHO MATÉRIA/WELINGTON

essa arte me encanta

e eu não quero mais sair

oh! well said capoeira

that comes from my ancestors

from my master king kong

who taught me the ABCs

God pay you

god help you

I will never forget you again

I will spin the world

I will spin the world

spin, spin, spin

every jump is a prayer

every blow is a song

and what makes it take advantage

It's the malice of the nigga

that in the ginga sets fire

the hearts of maidens

among the precious stone

capoeira is the most beautiful

LET'S GO CAPOEIRÁ

FROM: TONHO MATTER

a movement

pure and ostentatious

guess about

our hearts

oh! capoeira

who looks bad at you

don't you know that your life

It's a union

moved by a need

concrete always distinguishes reason

if your strength

gives birth to a body

old or young is beautiful

and I say: then

let's go capoeira

capoeira is life

let's go capoeira

the source of knowledge

TRUE IÚNA (INSTRUMENTAL)

FROM: TONHO MATTER

SEVEN CROSSROADS

FROM: TONHO MATTER

I am, I am

I am maculele

and I don't surrender

I go and go

rowing life

in the tide of time

I've been close to the jungle

I've been close to the sea

I've been close to everything and nothing

now I want to play

maculelê for you

because my scream

echoes at seven crossroads

I am...

I'm from Maculelê

I put my feet on the fire

throwing baton

I am noble and warrior

facing the jungle of your illusion

maculelê

don't kill me no

don't catch me, don't cut me

with the tip of your machete

SAMBA DE RODA

FROM: TONHO MATÉRIA/ WELLINGTON

capoeira

already entered the circle

of the wobbly thing

wanting to samba

it's a guitar

it's viola

so thinking

that he is a beast

which is already on the wheel

and don't know how to samba

it's a guitar

it's viola

he is capoeira

yes it is bis

look at the orange blossom

hello bahia

smells more than mud

the Bahian already knows

the smell of the orange tree

I'll have it removed

orange flower

which is for my baby to smell

If you're on the line, raise the ox

lift my ox from the ground

MANGANGA (FARRA) LIVE

BY: TONHO MATÉRIA/ BETO CORREA

what I feel for you

it's in your face

who in life lives from pleasure

go on a free spree to win the world

I come from Senegal

on the leather sound track

I'm a newspaper page

a capoeira beetle

I am the fruit of love

taste like apple

hot like the sun

manganga

come along for the ride

manganga

until dawn

catch the light wind

that the dust is rising on the floor

Come, my swing is coming

and commanding the crowd

it's a party

it's revelry

it's just joy

TECHNICAL SHEET

voice: tone matter

berimbau berra boi: dinho arte / wellingto (curisco)

berimbau gunga: tonho material / carlos alberto (negão)

berimbau viola: tonho material / jaime (shadow)

atabaque: tonho material / ivanzinho / allan talismã

tambourine: tonho material / ivanzinho / jaime (shadow)

agogô: tone matter / ivanzinho

whistle: tone matter

aguidavi: tonho material / ivanzinho

claps:tonho matter / buziga /giant / rai / adriana / marina/ fred / neném/ carlos alberto/ tonho matter

guitar: saul barbosa

keyboards: paulo adachi

bass: giroux wanziler

violin: raul bermudez

chorus: fred (dry leather) / adriana / bruna (trancinha) / maria (hopscotch) / melissa / andreza (ant) / matheus / jai / walisson (codela) / nelson (ninja) / milton (nino) / gerson (pire) / osvaldo (tizinho / elielma / josé carlos (baby head) / geisa (rasta) / ana paula (saquinho) / rafael / allan talismã / jaime (shadow) / carlos alberto (negão) / junior (lampião) / jorginho / ana rosa / everaldo (cabuloso) / tais/ renato (bidú) / junior (xoxó) / jorge claudio (dengoso) / robenilton (maniquin) marina (dancer) / rogério / paulista / fernanda / francis / milena / manual hand / manoela / mob / emília/ lú sheep / junior.

mangangá {farra} live:

battery: said

guitar: rafael

keyboard: luciano

bass: israel ramos

percussion: giriba / jonas / paulo tré

recorded, mixed and mastered in the studios: wr 32 channels

technicians: rogério barreto / walter rodrigues / rogério oliveira

assistants: matheus matos / oscar torres / partha

mixing technician: rogério oliveira

mastering: luiz

produced and directed by: tonho material / nestor madrid

graphic design:

photos: osmar gama

publishers: universal / our music

CONTACTS FOR SHOWS: 71-9919-7093 / 386-1288

tmmanganga@hotmail.com and capoeiramanganga@click21.com.br

I DEDICATE THIS RECORD TO ALL CAPOEIRISTS IN BRAZIL

THE MAGAZINE PRACTICING CAPOEIRA (LETÍCIA, ROGÉRIO AND EDUARDO) BY FORCE