Kilombolas Mangangá - M.Tonho Materia - GC

CD KILOMBOLAS MANGANGÁ - Recorded in 2004 (Released in 2004 independently)

KILOMBOLAS MANGANGA

MASTER: TONHO MATÉRIA AND MASTER: DEDÉ

1.we are a capoeira nation: tonho matter

2.a) bimba's son doesn't fall: d.p.

b) bimba palm: d.p.

c) the banana tree fell: d.p.

3.I came from there with the quilombolas: I'm interested

4.d) plays capoeira: dedé

e) capoeira dance: dedé

f) mandingueiro: dedé

g) sugarcane banana tree: dedé

5. João do Morro: Tonho Matter

6.the wheel will catch fire: tonho material

7.round the world that the world gives: d.p.

8.h) I'm the angry one here: dedé

i) capoeira São Salvador: Suassuna

j) São Salvador Bahia: d.p.

l) hillside of pillory: dedé

9. capoeira jequitibá: tonho material

10.m) capoeira cord: dedé

n) flag color: dedé

o) at the quilombola festival: dedé

11.manoel querino: tonho material

12.the pain of capoeira: I have no substance

13.p) grate the coconut: dedé

q) he arrived capoeira: dedé

14. Malês revolt: I don’t care

15.the good master is the one who makes the world: firebrand

16.iaiá cried: firebrand

17.manganga beetle time: firebrand

18.I'm going to Jamaica: dedé

19. laugh, boy, laugh to keep from crying: dedé

20.r) I called the old black man master: dedé

s) lerlêlêlêlêô: ezequiel

21.old black trick: d.p. adaptation tonho matter

22.I enchanted Sinhá's daughter: firebrand

23.stop talking: brand

24.the lack of a mandingueiro: firebrand

25.I'm made of blood and sweat: d.p. dedé adaptation

26.you who think you are important: d.p. dedé adaptation

27.t) the body dances: I have matter

u) capoeira is nature: tonho material

v) mandinga: tonho material

x) let's go capoeirá: tonho material

28.play idalina for me: robocopy

WE ARE A CAPOEIRA NATION

BY TONHO MATTER

we are a capoeira nation

manganga quilombolas

We are a capoeira nation Salvador Bahia

where did dede go loitering?

Tonho Matter was loitering

white monkey - mica and bull

marcos alabama - cesar dialabama

bamba and buguelo - good people and tchello

We are a capoeira nation...

where did dende go loitering?

and king kong was loitering

ear and cesar malvia and mouth

reginaldo and roque lump and olávo

Minas Gerais and China Rizadinha and Dalto

We are a capoeira nation...

where was ferrerinha loitering?

raimundo quilombolas was loitering

minister and zambi toby and maozinha

manoel de bimba and atabaque

carlinhos canabrava macumba and peccary

maximum master benivaldo zé doró has already died

dinho fiinho zeu black bozó white bozó

medicine piauí cabo jai curió nicuri carlinhos golden eagle

Roberto Sete Quedas - Kibi Barba Branca Nenel Cafuné

pimpão brandão beto sergio geraldo val lazinho indio

gajé one by one dnei American cocoa renê bujarrão

carlitos joão do morro robocop marcio soninha skinny

du tinho firebrand head lu sheep coffee shadow saci hairy bia bald romeo lú cabeção -

Bimba's son doesn't fall (d.p.)

palm of the bimba (d.p.)

the banana tree fell (d.p.)

it was you who said

that bimba's son doesn't fall

It was you, you, you who spoke

that bimba's son doesn't fall

I know Mestre Bimba and also his wife

I just know that she is

she is from Nazareth

the palm was wrong

the master ordered it to stop again

fix that palm boy

bimba palm is 123

bimba palm is 123

but the machete hit below

the banana tree fell

fall, fall banana tree oh oh

the banana tree fell

I CAME FROM THERE WITH THE KILOMBOLAS

FROM: TONHO MATTER

I came from there with the quilombolas

to play capoeira

with manganese beetle

in a gameleira wheel

play nigga

play, play

I saw zombies being chased

by Domingo Jorge Velho

in the middle of the virgin forest

surrounded by mysteries

betrayed by antonio soares

in palmares and it was no joke

even dead still lives

raising the flag

I came from there with the quilombolas

to play capoeira

with manganese beetle

in a gameleira wheel

play nigga

play, play

I saw more decent betrayal

in the waldemar shed

the street was full

lamp was there

together with john of god

and Antonio Counselor

watching the circus burn

to see who falls first

play capoeira dedé

capoeira dance - dedé

mandingueiro - dede

sugarcane banana tree dedé

play capoeira

what I want to see

play nice hey

what I want to learn

the aú beating is oh

the aú without hands is oh

the mortal to the side is oh

more than a feeling oh

I'm a quilombola, hey

I'm a capoeira, hey

It's our fight, hey

Brazilian fight, hey

play capoeira

what I want to see

play nice hey

what I want to learn

this dance is beautiful

she is Brazilian

I've seen a master playing the berimbau

and playing capoeira

but he is good and was fundamental

he played Angola and created the regional

mandingueiro

who came from Angola

teach me capoeira

I want to be a quilombola

sugarcane banana tree

pick up my clothes from the line

sugarcane banana tree

I'm a quilombola and I don't feel bad

sugarcane banana tree

pick up my clothes from the line

JOÃO DO MORRO

FROM: TONHO MATTER

I saw a boy playing capoeira

to transform the people of a place

This boy is no joke

it is the root of the mangangá beetle

Hey joão, if you leave the hill will cry

Hey joão, you are a quilombola boy

he has mandinga he has mandinga

I ask zombie, ganga-zumba, nzanga and kunta kintê

to protect the capoeira golden boy

around the world that the world of life conceived

as a destiny to enlighten the children of God.

THE WHEEL WILL CATCH FIRE

FROM: TONHO MATTER

be careful boy

capoeira is no joke

if you falter

can take a beating

when the wheel catches fire

It's a sign that there's palm oil

It's a hand to hand game

It's real mandinga

there are two capoeiras

discussing their destinies

It's the berimbau speaking

that the game is dangerous

goes around the world

the wheel will catch fire

the wheel will, will catch fire

the wheel will, will catch fire

he fell

lift him up

AROUND THE WORLD THAT THE WORLD GIVES

(D.P.)

I'm leaving I say to God

I'm leaving, yes sir

my friend go with god

no one takes your value

hey aruandê

It's a cutting-edge knife that pierces

hey aruandê

It's around the world that the world gives

It's around the world that the world gives

half moon, whip and so on

capoeira I tell you it is

capoeira fought like you

dies early on the plate

look at the foot

look at the hand

look there

look at the man wanting the woman

because she won't leave here

or come and get it if you can

hey aruandê

It's a cutting-edge knife that pierces

hey aruandê

It's around the world that the world gives

It's around the world that the world gives

capoeira de angola that I am

and Saint Benedict is small and I came

catarina who taught me

and now he is the lord of bonfim

it's time for us to talk

It's time for us to suffer

friend don't want to fight

friend don't want to die

hey aruandê

It's a cutting-edge knife that pierces

hey aruandê

It's around the world that the world gives

It's around the world that the world gives

THE BAD ONE HERE IS ME DEDÉ

CAPOEIRA DE SÃO SALVADOR - SUASSUNA

SÃO SALVADOR BAHIA D.P.

LADEIRA DO PELOURINHO DEDÉ

the angry one here is me

the angry one here is me

I order it to rain

I send wind

when thunder rumbles

I make the wind stop

capoeira is a game played

in the land of São Salvador

capoeira is a game played

in the land of São Salvador

the day I dawn

damn my life

I plant peeled sugarcane

three days old she was born

capoeira is a game played

in the land of São Salvador

capoeira is a game played

in the land of São Salvador

São Salvador Bahia

the afternoon died slowly

you could hear the berimbau

people on the street passing by

two men passing by one heard

... with me and spoke

I was going there but I'm not going

they started lowering themselves to the ground

they started singing a prayer

they sang Angola, cavalry, São Bento Pequeno

Santa Maria

and the people applauded

tremendous capoeira is to kill

tipped knife, stingray tail and death dance....

São Salvador Bahia

bahia de santo salvador

and when the police arrived

a body lying on the floor

but my boy, this fight is over

São Salvador Bahia

bahia de santo salvador

the police running after the man

It was this man who killed this man

but my boy, this fight is over

São Salvador Bahia

bahia de santo salvador

on the pillory slope

an old man sitting alone

I asked his name

a boy told me

he was a pastinha master

he was a teacher

he died abandoned

in the old people's shelter

and took his body

took them to the cemetery

great master died

great master died

great master died

master bimba died

master pastinha died

Canjiquinha died

valdemar died

died cameo died

valdemar died

master bimba died

master pastinha died

capoeira died - died

caiçara died - died

good goat died died

everyone died - died

master cat died died

oh died died - died

CAPOEIRA JEQUITIBÁ

FROM: TONHO MATTER

when I play capoeira

my body feels light

my mind becomes clear

my legs obey

capoeira is my life

my food

if I don't play capoeira

my body is in vain

when I'm on the wheel

and the soul plays

my body can't stop

berimbau playing

speaking to the world

from the top of jequitibá

Only those who have palm oil play

those who don't have it leave

who doesn't carry patuá

can't get into the circle

it has to have zombie blood

a mangangá kilombola

to be able to face

a jequitibá capoeira

CAPOEIRA CORDÃO DEDÉ

FLAG COLOR DEDÉ

AT THE KILOMBOLAS PARTY DEDÉ

It's in his head

It's in her head

the capoeira cordon

hanging in the window

when the christening arrives

it's that cry

when you take the cord

forget your value soon

save our color

save the flag color

It's the most beautiful color

It's the color of capoeira

save the green and yellow

the blue and the braided

save the most beautiful cord

is the formed cord

at the quilombolas party

everybody come, everybody come

you don't play berimbau, atabaque and agogô

you don't do the sequence that Mestre Bimba taught

at the quilombolas party

everybody come, everybody come

don't go to yours because you have a problem

you don't play the berimbau

and doesn't respect his master

when you enter the circle

get rid of a bully

the excuse you have

is to put everyone on the ground

at the quilombolas party

everybody come, everybody come

don't go to yours because you have a problem

SAVE MANOEL QUERINO

FROM: TONHO MATTER

a good capoeira player

You have to know your story (bis)

you have to have wisdom

engraved in memory

I'm going to talk about a wise black man

of great talent and humble origins

who worked in defense of black people

and was in favor of abolitionism

was born in Santo Amaro da Purificação

land of the mangangá beetle

in the time of slavery

hail manoel querino

guardian of history

capoeira thanks you (bis)

for your trajectory

if it weren't for your archives

everything would be lost in the dust

Candomblé, sacred images

and even capoeira

recruited in the Paraguayan war

self-taught student

who fought against the system

of the slave regime

he was the creator of the Bahian workers' league

an active man and defender

of popular culture

hero of a race of an abandoned destiny

I lived like Pedro Archangel

inspired by Jorge Amado

It's like he said himself:

whoever rereads the story

you will see how it came about

the nation that only has glory (bis)

in the African that imported

THE PAIN OF A CAPOEIRA

FROM: TONHO MATTER

oh my god I won't let you go anymore

playing capoeira on the pier

I know you're talking bad about me

pay attention now to what I'm going to tell you

you abandoned me, kicked me out of your stronghold

thinking I was stupid

and that I wasn't going to calm down

But if you were wrong, I'm a capoeira warrior

and I learned in your terreiro to cross yourself with the berimbau

now you keep saying that I'm ungrateful

I don't remember the past

and that I'm not a nice guy

every student needs a teacher

how a son needs a father

every master needs a student

to multiply ideals

oh my god I won't let you go anymore

playing capoeira on the pier

a capoeira master

what shape is the world

no one knows the pain of a capoeira

no one knows about your loneliness

It's worse than being tripped

when your master doesn't give you a hand

walks past him and doesn't speak

oh my god, where have you seen this before?

two capoeiras who love each other

cannot be enemies

GRATE THE COCONUT DEDÉ

HÊ CAPOEIRA HAS ARRIVED - DEDÉ

grate the coconut

cut the coconut

grate the coconut

Grate the coconut Maria de Sinha

when friday comes

call dedé to grate

hey, capoeira has arrived

hey, he's here to play

what a beautiful game what a cool game

It's medicine playing the berimbau

the boy from here on the island is our union

where is the medicine, the buguel and the falcon

the class is united I will present

for those of you who don't know

I will mention his name

I start with Marcos and Adriana who is the pastor

save the boy from the island medicine who taught

hey, capoeira has arrived

hey, he's here to play

what a beautiful game what a cool game

It's master dedé playing the berimbau

what a beautiful game what a cool game

It's Tonho Matter playing the berimbau

what a beautiful game what a cool game

It's the firebrand playing the berimbau

REVOLT OF THE MALES

FROM: TONHO MATTER

Bahia was once the land of the Moors

of the customs of spiritual faith

where black people rebelled

to fight for an ideal

the Malê revolt emerged

like a cry for freedom

movement that would end

with white people from all over the city

an African uprising

an evil conspiracy

a torment a desperation

a desire to win

malês black haussás

malês black nagôs

malês black slaps

Malian black bornus

Cabindas Negroes Malês

malês black fulanis

was an ethnic group that inhabited

in Bahia

Malian black mandingas

malês black yourubás

malês black jejes

Minas Negroes Malês

Malian black congos

Malian black malinkes

malês black gruncis

was an ethnic group that inhabited

in Bahia

it was, it was bamboche

who brought the oracle to Bahia

it was, it was bamboche

who the horns answered

ahuna pretosmalê s

pacific licutan black malês

luis sanim malês blacks

manoel calafate black malê

Malian black guys

nicobé malês blacks

dassalú black malês

Grandpa do Ilê Mestre Dedé Ferrerinha - Mestre Bamba Mestre Bimba King Kong Marcos Alabama Cesar Dialabama Medicina - Boa gente

ear master

THE GOOD MASTER WHO DOES IT IS TIME

FROM: TITION

my master told me oh boy

It's okay to take a trip

because that's where the charm lies

see how malice does capoeira

see the coral snake boat

so small but killer

If I need to, I'll go back in time

but if forma is a good player

but the good master

what does it is time

say, it was dedé who said it

Oh, your tone, matter, everything has changed

how many times do I think

how did you play manduca from the beach

your canjiquinha master waldemar

caiçara besouro and betrayed him

other masters I can't even talk about

my chest ends up bleeding

I miss the time that gives

but the good master

what does it is time

tell me king kong who spoke

but the good master

what does it is time

say there medicine said

IAIÁ CRIED

FROM: TITION

iaiá cried

cry yo-yo

It was there in 74 when everything happened

oh! my god

shook every foundation

when your bimba died

iaiá cried

cry yo-yo

from goiania to freedom

I don't even like to remember

oh! my god

capoeira was in mourning

saying goodbye to waldemar

iaiá cried

cry yo-yo

boy tell me soon

how did it happen

oh! my god

betrayal sent Dimola to live with God

iaiá cried

cry yo-yo

my master was silent

played São Bento afterwards

oh! my god

come show the feeling

berimbau called pain

BEETLE TIME

FROM: TITION

oh your boy

be careful this is not a joke

Don't underestimate capoeira players

but there is in the time of mangangá beetle

but there is in the time of mangangá beetle

but there is in the time of mangang beetle

with your beetle

berimbau cried with so much joy

São Bento Grande, in Iúna and Santa Maria

I go back in time makes me want to cry

but there is in the time of mangangá beetle

but there is in the time of mangangá beetle

but there is in the time of mangangá beetle

I'M GOING TO JAMAICA

FROM: DEDE

I'm going, I'm going to Jamaica, I'm going alone

I'm going to bring a little girl to dance the carimbô

I'm going, I'm going to Jamaica, I'm going alone

I'm going to bring a little girl to see the stamp

I will bring a girl

to come to Bahia

to see capoeira

and learn to samba

to see samba de roda and learn to dance

São Salvador Bahia

capoeira bahia

laugh boy, laugh so you don't cry

from: dedé

laugh laugh boy

laugh so you don't cry

laugh laugh boy

berimbau invites you to play

I will talk to your mother

what is she supposed to leave

you play capoeira

which is to be created later

oh laugh

I CALLED OLD BLACK MESTRE

FROM: DEDE

LÊLÊLÊLÊLÊÔ

FROM: EZEQUIEL

I called the old black man master

all you had to do was hit me

I called the old black man master

all you had to do was hit me

I said that my master is medicine

He taught me this way

It's nonsense old black

I didn't mean to offend you

you're sorry boy

that my rope belongs to a teacher

you're sorry boy

that my rope belongs to a teacher

It's nonsense old black

I don't think about graduation

You know that the master is the one who makes the string

the string doesn't make a master

you know that medicine is the one who makes the string

the string doesn't make a master

you know that king kong is the one who makes the string

the string doesn't make a master

no master is the one who makes the string

the string doesn't make a master

Suassuna is the one who makes the string

the string doesn't make a master

long live quilombolas

who doesn't think about graduation

you know that medicine is the one who makes the string

the string doesn't make a master

you know that dedé is the one who makes the string

the string doesn't make a master

condoms are the ones who make the string

the string doesn't make a master

accordion is the one who makes the string

the string doesn't make a master

Alabama is the one who makes the string

the string doesn't make a master

master fiinho is the one who makes the string

the string doesn't make a master

you know that little guy is the one who makes the string

the string doesn't make a master

leleleleleô

capoeira has arrived

leleleleleô

save the bahia of santo salvador

leleleleleô

capoeira has arrived

leleleleleô

Manoel dos Reis Machado

leleleleleô

who taught

leleleleleô

the bimba master of salvador

OLD BLACK MORNING

D. P. ADAPIT. TONHO MATTER

capoeira is the trick of old black people

brought during the time of slavery

capoeira took the black race

on the path to your liberation

I will tell you

from the bottom of my heart

This fight this dance is Brazilian

makes people vibrate with excitement

from new york to mexico

or from Rio de Janeiro to Japan

It's in the playing of the berimbau viola

whether São Bento Grande or Angola

the game runs normally

I'll say hey hey

capoeira belongs to the people, it belongs to us

It's a different way of fighting

I ENCHANTED SINHÁ'S DAUGHTER

FROM: TITION

capoeira made me a fan

forced us to work

they beat black people then they send war

my great love I had to leave

more of the war I bring a secret

very sly and no one will steal

led the slave quarters to battle

just using the strength of my singing

I sang to overcome my fear

I enchanted my sister's daughter

The black man's corner hid a secret

I enchanted my sister's daughter

STOP TALKING

FROM: TITION

who doesn't know

master bimba and his pastinha

one played regional

another played angolinha

there in Bahia

well boy I heard

if you want to be capoeira

you need to step there

stop talking

no one falls for the mistake

my master is from Bahia

motherland of capoeira

stop talking

no one falls for the mistake

I come from Bahia

capital of capoeira

stop talking

no one falls for the mistake

My master is from Bahia, the country of capoeira

stop talking

no one falls for the mistake

I come from Bahia and the entire capoeira nation

stop talking

no one falls for the mistake

and go to Bahia, the country of capoeira

stop talking

no one falls for the mistake

axé to my Bahia, motherland of capoeira

THE LACK OF A HOSEMAN

FROM: TITION

it's been a while

how long has it been

that I don't see black mandingueiro

and in the time of slavery

you learned by falling first

old black send a message

need to be rescued

so doing graduated student

without having malice or knowing how to teach

capoeira brings foundation

the history of slavery

who practices for money

kills the culture of the entire nation

it's been a while

how long has it been

that I don't see black mandingueiro

more in the time of slavery

bimba learned by falling first

it's been a while

how long has it been

that I don't see black mandingueiro

if in the time of slavery

my master learned he was falling first

Old black guy sends a message...

it's been a while

how long has it been

that I don't see black mandingueiro

and in the time of slavery

medicine learned was falling first

it's been a while

how long has it been

that I don't see black mandingueiro

if in the time of slavery

bobô learned he fell first

how long has it been

that I don't see black mandingueiro

and in the time of slavery

dedé learned he fell first

I AM MADE OF BLOOD AND SWEAT

D.P. ADAPT. DEDÉ

I'm made of blood and sweat

It's a day of pride and magic

my father was raised without mercy

my suffering mother mary

I was born in the corner of hell

and everyone is called senzala

I sleep listening to the moan

the black man's whip shakes me

my mouth glued together

my body marked by lashes

I pray for the ancestors

lying inside a hammock

let's go comrade

comrade it's time it's time

let's go comrade

I'm a quilombola dedé

let's go comrade

comrade it's time it's time

let's go comrade

I was born in Garcia and I arrived now

let's go comrade

comrade it's time it's time

let's go comrade

YOU WHO THINK YOURSELF IS IMPORTANT:

D.P. ADAPTATION DEDÉ

you who think you are important

play like no one else

important is bimba and pastinha

and my master too

more when you started

I already taught how to do it

I already taught how to do it

with medicine

with master bimba

pastinha master

dede

caiçara

with king kong

tone matter

when you enter the circle

try to respect

respect the teacher and the student

and start playing

more when you started

I already taught how to do it

little joaõ

he taught how to do

master moraes

he taught how to do

accordion

he taught how to do

itapoan

he taught how to do

helium xaréu

he taught how to do

gentle snake

he taught how to do

rich mouth

he taught how to do

node master

he taught how to do

master dino

he taught how to do

capoeira

I'm from Bahia

land of capoeira

it's a lot of war

is Brazilian

is foreign

big joao

capoeira

he taught how to do

DANCE YOUR BODY

FROM: TONHO MATTER

ê capoeira aiá

it's a dance

that dances the body

back and forth

gives us meaning

the strong vision

capoeira is a union

prepare the spirit

and makes us delirious

capoeira game

to execute

capoeira iaiá...

educates the body

capoeira

it's a lesson

capoeira

teaches life

capoeira

for the yes of reason

capoeira

CAPOEIRA IS NATURE

FROM: TONHO MATTER

capoeira is nature

capoeira is nature

I remember the sky blue

where the rainbow is the berimbau

the sun is the tambourine

the clouds the somersault

I learned capoeira

Today I am a doctor of hers

capoeira is our thing

Salvador model market

MANDINGA

FROM: TONHO MATTER

Hey comrade

Come see capoeira play encore

capoeira has already entered the circle

and made the wheel spin bis

in the time of slavery

I played with my great-grandfather

taught me how to play the game

Today I am suspicious

capoeira and ginga and expression

in Bahia it has already been established

masters bimba and pastinha are gone

but for capoeira

the seed remained

the boy is good

clap for him

LET'S GO CAPOEIRÁ

FROM: TONHO MATTER

a movement

pure and ostentatious

guess about

our hearts

oh! capoeira

who looks bad at you

don't you know that your life

It's a union

moved by a need

concrete always distinguishes reason

if your strength

gives birth to a body

old or young is beautiful

and I say: then

let's go capoeira

capoeira is life

let's go capoeira

the source of knowledge

PLAY IDALINA FOR ME

FROM: ROBOCOP

when I die

play idalina for me

when I was little

my mother abandoned me

more than my luck

capoeira created me

I know when I was born

I just don't know when I'm going to die

I know that while I'm alive

I won't forget you (robocop)

thank Dona Marta

your black bozo and your finger

God protect Dona Tania

and the guinea boys

at the time of my funeral

do me a favor

give the berimbau to my master (with the sharp berimbau)

and follow the procession singing like this

when I die...

when I die

play idalina for me

TECHNICAL SHEET

KILOMBOLAS MANGANGA

voice: masters tonho material/dedé and formed firebrand

berimbau gunga: master tonho matter

berimbau medium: master dedé

berimbau viola: shadow intern

tambourine: formed lú sheep

atabaque: allan

agogô: carlos alberto

claps: rafael / garrincha / against master joão do morro

chorus: masters tonho material / dedé / bicudo / jai / smelly / tizinho

recorded, mixed and mastered in the studios: bpm

coach: zé raimundo

direction: masters tonho materia and dedé

photo: osmar gamma

cover:

CONTACT FOR KILOMBOLAS SHOWS: (71) 365-4108 8822-1118

capoeirakilombolas@ig.com.br

contact for mangangá shows: (71) 386-1288 9919-7093

tmmanganga@hotmail.com capoeiramanganga@click21.com.br

tmmanganga@yahoo.com.br